It USES the central c introductory law, from the central do start to learn on, separately to expand and range, the first book after all, treble learn lesson to the second line, bass line to the fourth lesson is all.
From the second book began to use the contrast method, a massive tone propulsion. Such as "the captain of pushing to follow up the fine print two group c," serenade "push down to the fine print group c.
"Little soup" by the central c introductory method as the core, and gradually infiltration duration (addition of notes-binary notes-four points notes-FuDian binary notes-quaver......) , tempo, (4/4, 2/4, 3/4......) , key signatures, such as knowledge, logic distinct chord, reasonable is properly.
"Little soup" the staccato introduction, let children's experience to play method, weight arm scientifically.
The CCTV "heart-to-heart" art troupe to hide sympathy in Lhasa performance potala palace, CaiDanZhuoMa grandly held at the square, LiuYuanYuan, sun nan, ZhangYe, CaiGuoQing, HuangShengYi and many other singer have offered the brilliant performance. For the first time in LiuYuanYuan plateau singing "the people's livelihood" receive a warm welcome, and has always been on the plateau has culture, "she said, as a singer, wish to Tibet of the unique culture of develop a contribution, in her rehearsals with local culture department over had a good communication, plans to participate in Tibet music, recent film creation, especially singing liaoliang wide plateau music. LiuYuanYuan said admire history for sino-tibetan fusion contribution, the princess wencheng her history is the important embodiment of local culture, the latest songs is likely this as the theme.
"Little soup" used central c introductory method, a lesson to learn one note, gradually to push up and down. On the one hand, young children learn solid, but on the other hand also caused a long a stage in the central C, both hands crowded around a narrow range play phenomenon.
"Little soup" use thumb play the central C (thumb, is the most difficult and standing up one of the support fingers), and both hands in his chest, arms to squeeze through a free power down. (hands position and such as the shoulder wide state power, the most unobstructed) falling.
"Little soup" by the staccato into two sound LianZou (fall-roll) technology, is not enough to fully repertoire. And, in a into third book, the emergence of a phrase (plus attachment) concept. Many lack of experience of teachers, students are required to LianZou then. This sudden change, students can't adapt to, cause many students use the method of the phenomenon of playing the press, ensue the so-called "Britain wrist" illness. The main reason is the lack of "two sound, LianZou-three sound LianZou-many sound LianZou (phrase)" of incremental excessive stage.
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